How could HMV survive in digital word Literature review

How could HMV survive in digital word - Literature review Example At the same time, presence of a large population of suppliers has their bargaining power related to packaging materials and recording disks (Watson and Spence, 2007). The bargaining power of retail music customers have increased substantially. Customers in the UK music sector can be divided as corporate and individual. With evolution of download services and legal streaming, the e-shops and streaming services, such as, iTunes, have become popular among consumers. As a result of rise in illegal streaming, people are currently buying lesser number of records (Wikstro, 2005). Corporate consumers in this industry include offline and online retailers involved in bulk purchases of albums from the music labels. These entities include stores like, Game and HMV, as well as online stores like, AmazonMP3, iTunes and Zune. Stringent contracts, along with increasing sources where consumers can download songs and videos illegally, have lowered the bargaining power of corporate customers (Rust, Kannan and Peng, 2002). Established and branded music labels are spending millions in test marketing, recording as well as image-development campaigns so as to ensure competency and quality of the artist, before making a public launch. These areas need implementation of special skills as well as huge access to money. Furthermore, these campaigns are supported by exhaustive distribution network and wide reach in terms of online distributing partners (Michel, 2006). These online partners are also helpful for immediate album distribution to exact locations. Also, the bigger brands can easily use their industry contacts during concert organisation, album promotion shows or for creating buzz for different artists. As these facilities are not available to newer brands, initial risks as well as capital expenditures are higher compared to that of the established brands. Then again,

Capital Budgeing Case Study Essay Example for Free

Capital Budgeing Case Study Essay There are at least six capital budgeting tools a firm can use in analyzing a capital expenditure. They are: net present value (NPV), internal rate of return (IRR), profitability index (PI), payback period (PB), discounted payback period (DRP), and modified internal rate of return (MIRR). This case study will focus mainly on NPV and IRR, in addition to the remaining four capital budgeting tools. Net Present Value (NPV) The NPV of an investment proposal for a project is the same as the† present value of its annual free cash flows less the investment’s initial outlay† (Keown, Martin Petty, p. 310, 2014). Before calculating the NPV you must first forecast the projected revenue for the life of the project to obtain the net cash flow figures. This involves accountants and analysts crunching numbers based on many factors such as the economy, supply and demand, competition, and how the company plans on carrying out the project (University of Phoenix, 2013). NPV looks at the present value of the benefits minus the present value of the costs. You also need a discount rate; it is normally the cost of capital. The cost of capital is used because a firm wants the project to at a minimum make more than what capital is now costing the firm to run its business. The rule for NPV is if the value is greater than or equal to zero the project is accepted (Keown, Martin Petty, p. 310, 2014). After completing a five year projected income statement and a five year projected cash flow from the capital budgeting case study for corporation A and B, this information was used to calculate the NPV for each corporation. Corporation A’s NPV= $2,025 and B’s is NPV= $3,293. Both NPV’s are equal or greater than zero so both projects are a go, but corporation B has a greater NPV, making it a better choice if based on NPV alone (University of Phoenix, 2013). Internal Rate of Return (IRR)

Reaction to the Movie, Camille Claudell :: Film

Reaction to the Movie, Camille Claudell This is one of the saddest movies I have ever seen. She wasted her life, for a man. Camille was a great sculptor. In her family, she always had the support of her father. She helped her brother with his poems because he liked to write, but that was not very well seen. As well Camille passion for sculpture was not well seen at all, her own mother despite her for what she did. However, she was very strong and always kept going. Everything in her life was going mostly ok until she met Robin, a very prestigious and recognized sculptor. He recognized her talent, so he took her as a pupil. They felt in love and had a passionate affair, but he was married. She became pregnant and since Robin had no intention to marry her, she had an abortion. After this she left Robin for good. She started working on her own works, but she became obsessed with Robin. It seems to her that everything that happened to her was a complot he had against her because he was afraid of her talent. I think that was not true. She produced a huge amount of work, and she got the chance to expose. By this time, her brother had become, thanks to her help, a world famous poet. In the opening of her exposition, she appeared dress very eccentrically. She scandalized everyone in the exhibition, and made her brother ashamed and ran off the room. She got good reviews, but her brother walking out on her, and not selling any of her pieces really disappointed her. So, when she got home, she destroyed, and then buried all of her pieces. Years after that, her father died and her mother and brother decided she was insane, so they secluded her in a Metal Institution where she stayed until her death. Camille Claudell, I think, was one of the best sculptors in the world. She was a genius, and this was mention a couple of times in the movie. It is too bad that she felt desperately in love with Robin, and she wasted all her life and talent loving him. She became delusional; she though everything was a complot against her prepared by Robin.

Rules by Which a Government May Be Reduced to a Small One

In Benjamin Franklin’s writing â€Å"Rules by Which a Great Empire May be Reduced to a Small One†, he attempts, without success, to convince the king and Parliament of Britain to change their control of policies towards the American Colonies. This publishing did very well to highlight the main issues of America caused by the British Government. Franklin’s writing uses excessive rhetorical devices to portray his patriotic opinion towards the British Crown, such as Satire, Figurative Language, and Diction. These devices serve the purpose of warning the government of Britain that the American people do not approve of how they rule their people.Benjamin Franklin uses Satire throughout his entire piece, in an effort to make his audience; the readers of â€Å"Public Advertiser† feel that the British are foolish. His use of satire is seen as early on as the second paragraph, where he says â€Å"Take special Care the Provinces are never incorporated with the Moth er Country, that they do not enjoy the same common Rights, the same Privileges in Commerce, and that they are governed by severer Laws, all of your enacting, without allowing them any Share in the Choice of the Legislators. This blatant use of sarcasm tends to make the audience feel enlightened as to what the British are really doing to the American Colonies. Sarcasm also emphasizes the main idea of the piece in that it attempts to affect the way the British govern America. Benjamin Franklin also has extensive use of figurative language. For example, he uses a simile in the very first sentence of his piece; â€Å"a great Empire, like a great Cake, is most easily diminished at the Edges. † His figurative language serves a purpose of emphasizing his use of satire.In a later example; he keeps his simile of the cake and compares it to a gingerbread baker who seems to not know how to bake, thus accentuating his use of sarcasm. Franklin’s use of figurative language creates a n expressive tone more efficiently than simple, concrete language. Lastly, Benjamin Franklin’s use of diction is also very prevalent in his writing. Just one example of Franklin’s use of diction would include: â€Å"After a Revolution is thoroughly established, are of no more use, they are even odious and abominable. His use of the words â€Å"odious† and â€Å"abominable† serve a larger purpose than simply using more generic, less descriptive words such as â€Å"hateful† and â€Å"bad†. His use of these words convey his thoughts on British tyranny over America more clearly. It provides a tone of seriousness and genuine importance. His diction affects the overall mood of the piece by giving it a sense of urgency in that something needs to change for America. In conclusion, Benjamin Franklin’s writing â€Å"Rules by Which a Great Empire May be Reduced to a Small One† attempts to cause change in the way government is being run b y Britain for the Colonies in America.His use of satire, figurative language, and diction cause his writing to be regarded as fundamental in producing the American Revolution. They change both the mood and tone of the piece, and cause his audience to think about how the British Parliament governs America. His extensive use of sarcasm throughout the piece strikes a sense of foolishness by the audience towards the British Crown. Although his attempts to change the way British Parliament governed America did not succeed, Benjamin Franklin did emphasize the problems in their system, and ultimately contributed to the American Revolution.

“Anak” reaction paper Essay

1. Based on the film Anak, what specific issues do OFW (Overseas Filipino Worker) parents and their children face? Give three concrete examples. a. Unfamiliarity of family members and change in behavior i. In one of the first few scenes of the movie, Josie arrives in the Philippines. A friend and her children greet her but she does not notice her children right away. She gracefully greets her children the moment that she found out that it was infact them already all grown up. Since she was abroad for a very long time, her children didn’t know how to react to her gracefulness and felt a little awkward, especially for Daday, the youngest of her three children, whom she left at a very early age. So there is an unfamiliarity of the face and ofcourse in behavior. Children grow up and eventually get used to not being around their OFW parents so their behavior towards them also change. b. Struggle to reconnect to one another i. It was also evident in the movie that the children were struggling to be open to Josie, most especially Carla. Carla felt like her mother betrayed her by not coming back home and not calling them when she was gone. So she grew up not having a mother who would look out for her and teach her the good values that she needed. Carla ended up being influenced by the wrong people. When her mother finally came home, she felt like her mother was not part of her life anymore and just stopped caring about her. She never told her stories of what happened to her life. Also, Michael had a struggle to tell her that his full scholarship got voided, and Daday had a hard time being comfortable with Josie. All this is due to the experiences of Josie’s children that she missed. She wasn’t able to be there for her children during the times wherein they needed her the most. So the children lost their sense of security and struggled to get it back. c. Living in the Philippines i. As simple as it sounds, I believe that OFWs find it very hard to live in the Philippines again. Just like in the movie, Josie and her friends’ taxi  business was not that successful. It also affects the lifestyle of the children just like how Josie had to pay Michael’s full tuition fee for him to study in school. She used the business’ money to pay for that. Aside from the struggle to reconnect, this is an additional burden for OFWs so sometimes, like in Josie’s case, they go back abroad and just try to get a more decent job from there, and once again, away from the family. 2. How do transnational families (families with OFWs or migrant workers) challenge stereotypes or images of the traditional family? a. I think they just try their best to live a normal life. When it comes to communicating with the OFW parents, they see to it that they make use of any kind of communication like letters, phone calls, and in this current generation, we have video calling. They do this so that they feel like their parents’ are with them and their connection with them won’t be broken. In the movie, it was seen the Josie’s bosses hindered her from talking to her family at home and also from going back home to the Philippines when her husband died. So, the connection between Josie and her children got broken ever since that happened. 3. What other issues confronting the family were present in the film? Justify your answer by giving concrete examples. a. One of the issues in the film is Carla’s involvement with illegal substance and teenage pregnancy. She does this to cope with her tough experiences. She mentioned in the movie that she was like that because she never had a mother to tell her not to do those kinds of stuff. She never had a mother’s security that’s why she felt like she can single-handedly do stuff without the permit of anyone. b. Another issue is the struggle to keep up with local business. This was seen when both of Josie’s friends backed out of the taxi business due to financial problems. This, and family issues, left Josie no choice but to just go back to Hong Kong and work there again. 4. Give two concrete recommendations to solve problems confronting transnational families and/or other family-related problems that were present in the film. a. There should always be communication between the OFW parent and his or her family members. With this, they are updated about each other’s lives and they are connected. Also, the children will still somehow feel the security of the  parents even though they’re not physically with them. b. Try to visit as much as possible. Even though there is communication, seeing a loved one personally is still better. There is more shared experienced when an OFW parent is physically with his or her children and therefore, there is a stronger bond among them.

Discourse 1 & 2 essays

Discourse 1 & 2 essays In Jean-Jacques Rousseaus Discourses, freedom is one of the most important themes. Freedom is possible for the human person, but things such as society play a considerable role in limiting human freedom. He argues that culture is what teaches people ideas which enslaved them in society, thus he firmly holds that people are better off in their original state of nature. In The First and Second Discourses, Rousseau describes what life is like in the original state of nature and argues that it is preferable over civilized society due to several prevailing factors. However, that type of lifestyle which contains complete freedom is not achievable in the modern world. According to Rousseau, there are two types of freedom: positive and negative. Positive freedom is transpired through ones original state of nature where few relationships are established. The original state of nature is calm and peaceful, resembling a simplistic form of life. Negative freedom arises from the natural development of the human person and the construction of relationships and societies. Rousseau finds man living in the original state of nature at the greatest advantage than man living in society. Society produces inequality and restraints whereas the original state of nature does not. Rousseau believes that man in the original state of nature has few needs, no idea of good or evil, and little contact with other humans. Pity and self-preservation are the two main motivational characteristics that ever human/animal possesses. In the state of nature, everything that man wants or desires is proportioned to what man needs. Since mans needs are satisfied, desire will completely vanish. For "his modest needs are so easily found at hand" and his lack of desire to become more knowledgeable leaves him without curiosity. Thus, nothing agitates his soul nor can desire override his needs. As a result, he could not be good or evil and only have complete...

Fashion of Lebanon

Fashion of Lebanon Introduction In the contemporary world, fashion and design has become a major aspect of global culture. Particularly, fashion has flourished in many parts of the world. This reflects change in terms of perspectives and perceptions that fashion in the previous decades elicited. Of particular interest is fashion industry in Middle East and other parts of Asia.Advertising We will write a custom essay sample on Fashion of Lebanon specifically for you for only $16.05 $11/page Learn More Despite different convictions, views and culture, fashion in Middle East has thrived amid strong religious practices and resistance. This essay explores fashion industry of Lebanon. The paper will highlight some of the major fashion designers in the country and draw conclusions on whether or not Lebanese fashion has flourished. Besides, the conclusion of the paper will make a comparison between fashion industry in Lebanon and Dubai. This will not only provide a glimpse of Lebanese fashion but also enhance our knowledge on the intrinsic aspects of the country that makes its fashion industry irresistible to the rest of the world. Lebanon Fashion Designers Lebanon is renowned for exemplar fashion designers. Elie Saab is an iconic fashion designer with design shops located in Beirut and other parts of the world. Born in 1964, Saab showed keen interest in fashion and began sewing at a tender age of nine years. In 1981, Saab attended fashion and design training in Paris and gained knowledge and style that were critical for his career (Carnegy 79). He returned to Beirut where he opened a fashion and design workshop. At the age of 18, Elie Saab had already launched his label and was able to start a designer shop. His initial fashion designs included wedding gowns and dresses. He used unique fabrics to exhibit designs that represented a shift from conventional Lebanese culture to a more liberal and global-accepted culture. Despite his early ambitions, his work gained global acceptance in 1997 when he became a member of Camera Nazionale della Moda (McKelvey and Munslow 31). Consequently, he was able to ensure that his collections typify numerous fashion shows across the world. It is important to note that Elie Saab is a major fashion designer who has been able to integrate eastern and western cultures. Use of such materials such as taffeta and satin has allowed the designer to come up with light gowns and wedding dresses. This in turn has led to recognition of his designs globally. His most memorable moment was in 2002.Advertising Looking for essay on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More Saab made history when he became the first designer not only in Lebanon but also in the entire Middle East to dress an Oscar winner (McKelvey and Munslow 301). Particularly, Saab dressed Halle Berry making his designs an instant success then and in the following years. Consequently, he became a member of Chambre Syndicale de la Haute Couture in Paris (Carnegy 129). Fig 1: Some of Saab’s Elegant Designs To that end, Saab’s designs and fashion collections have become popular across the world. This in turn has allowed him to become one of the most recognized fashion designers having dressed over a hundred celebrities at the end of 2010. His business has also expanded across the region and the entire world. Particularly, he has opened over sixty outlets across the world. To diversify his collection, Saab launched his maiden perfume known as ‘Le Parfum’ in 2012. The fragrance became an instant seller. According to McKelvey and Munslow, the perfume became the best seller in over fifteen countries across the world (162). It is imperative to restate that Elie Saab is a global and impressive fashion designer. Among the celebrities he has dressed are Beyonce, Katy Perry, Christina Aguilera and Rihanna. Another renowned Lebanese fashion designer is Zuhair Murad. Unlike Saab, Murad is relatively younger having been born in 1971. He studied fashion in Paris where he achieved a degree in fashion and design. Upon his return to Lebanon, Murad opened his first shop in Beirut. He made his debut in fashion when he appeared on catwalks of Italy. His designs captured attention of many designers and became a characteristic of fashion shows in Italy. Murad has been able to sustain his collection to the satisfaction of a myriad of clients. Mainly, he specializes in ready to wear clothes, eyewear and other accessories that are pertinent to the fashion industry (Hywel 28).Advertising We will write a custom essay sample on Fashion of Lebanon specifically for you for only $16.05 $11/page Learn More Although his fashion line grew in a modest rate, he has diversified his line to include lingerie and perfumes. In 2008, he opened two boutiques outside Lebanon. Like Saab, one of the shops is in Milan while the other one is located in Paris (Carnegy 67). He also has many showrooms that target fashion events such as New York Fashion Week. Fig 2: Miley Cyrus wearing one of Murad’s Designs It would be unwise not to mention major highlights of Murad’s fashion and design career. Due to his ability of fusing Western and Eastern cultures, Murad has become one of the most sought after designers by many celebrities. Particularly, he has dressed many celebrities and royalties including Christina Aguilera, Blake Lively, Miley Cyrus among many others (Hywel 70). However, his eureka moment was in 2011 when Kerry Washington wore one of his collections during Emmy Awards. It is also important to mention that princess of Saudi Arabia wore one of his collections during the royal wedding between Prince William and Kate Middleton, Duchess of Cambridge, in the same year. The most important aspect of Murad’s collection is elegance and expensive fabric. Besides, his designs incorporate different cu ltures ensuring that clients come from all over the world. As such, Murad has made a fortune in dressing actors of popular TV shows and programs. They include The X Factor, Twilight Saga and most recently, Savages. In addition, his line of fashion has been able to address numerous needs of the clients across the world. In fact, Murad’s fashion line has created a unique style in Lebanon making him one of the most terrific fashion designers. Globally, Murad has elicited recognition and appreciation. In Hollywood, his fashion collection has attracted many customers and celebrities. According to various fashion designers, Murad’s fashion collection has become a household name similar to that of Armani and D G (Hywel 172).Advertising Looking for essay on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More He has had the privilege of appearing in many fashion-related magazines and shows including Joan Rivers’ fashion magazine show, The Fashion Police. To that end, it is important to assert that Murad has been instrumental in popularizing Lebanese fashion across the world. Reasons why Fashion in Lebanon has Flourished Lebanon’s fashion industry has flourished in the recent past owing to various factors. At the outset, Lebanon’s geopolitical position and culture are important factors that have made the fashion industry to thrive amid growing competition across the world. The rationale is that Lebanon’s location has led to the spread of Arabic and European influences in the fashion industry. As such, most fashion designs take into consideration both influences and cultures leading to a high demand for the collections. In fact, many designers describe Lebanon as the ‘Switzerland of the Middle East’ (McKelvey and Munslow 228). This fact has led to d ifferentiation and distinctiveness of Lebanese fashion from other countries across the region. In turn, Lebanese fashion has a unique style that does not reflect either Arabic or European designs. Lebanon’s fashion industry therefore integrates various cultures to make elegant and liberal clothes that are unique in the entire region. It is important to mention that Lebanon’s fashion industry has also been instrumental in maintaining historical elements of Lebanese culture. According to many designers, fashion culture of Lebanon is unique from many others. Particularly, Beirut is regarded as ‘Paris of the Orient’ in the sense that the fashion industry in the city reflects that of Paris (Hywel 30). Historians point out that the culture of the country was an important factor that has led to the massive explosion of fashion and design industry in the country. The reason is that weaving of elegant carpets, fabrics and artwork are cultural practices that the pop ulation has maintained for long (Hywel 82). To that end, culture and geopolitical positioning of Lebanon have supported growth and expansion of fashion industry within the country. Second, it is important to highlight that political instability of the country has increased the diversity of the fashion industry. Prior to the civil war, Beirut was a major fashion destination of the world. Carnegy says that the escalation of war and violence facilitated the migration of many young Lebanese to Western countries (213). In these countries, many fashion designers from the country gained training and knowledge that is important in fashion industry. For instance, Zuhair Murad fled the country amid the civil war to acquire basic and international training on fashion. Since the political instability within the country has reduced tremendously, many fashion designers who received training in European nations and America have returned to Lebanon. To that end, the designs and collections that hav e emerged in the country traverse Lebanese jurisdiction to become global brands. It is essential to emphasize that many designers who gained training outside Lebanon have been in a position to launch collections that are liberal and are generally acceptable across the world. This is contrary to fashion industries of other countries within the region that have been relatively conservative (Hywel 45). Further, government of Lebanon has appreciated and recognized the importance of fashion and design industry. The authorities have lured many young people to join fashion colleges in order to expand the small fashion industry. According to many fashion designers, Lebanon is the only country within Middle East that has enacted laws and regulation that sponsor fashion industry (Carnegy 111). Ranging from tax subsidies and export incentives, the country has protected the local fashion industry from high-end competitors. In fact, the state of Lebanon has been able to increase the number of ed ucation institutions that nurture fashion talents from a meager three to sixty seven between 2000 and 2011 (McKelvey and Munslow 221). This has acted as a major motivation for many young and talented fashion designers leading to a major explosion of young designers. In addition to protecting local fashion industry, the state has also ensured that public awareness has increased in order to create local market for fashion collections. To that end, many citizens appreciate the important role that the industry plays in the general economy of the country. McKelvey and Munslow point out that the rise of globally recognized Lebanese fashion designers has inspired numerous upcoming fashion designers in the country (93). Such renowned designers as Rana Sam, Zuhair Murad, Johnny Farah, Mr Kayrouz, Karen Cherkerdjian and Elie Saab have opened many fashion avenues that young designers can explore. Besides, the availability of quality fabrics and garments in the country has allowed designers to provide quality and elegant dresses and clothes that are competitive in the global fashion industry. As such, availability of raw materials such as satin and silk coupled with expertise and skills have enhanced the fashion industry in the country. As many people point out, it is important to mention that the liberal nature of Lebanese culture has made it distinct from other countries in the region. This is not only in terms of global recognition but also in terms of diluting stringent laws that guide regional culture.  Despite the rise of Lebanon’s fashion industry, it is important to pinpoint various challenges that have come along with the growth. Insecurity and political instability within the region have been major hiccups for the industry in the sense that the country has failed to attract and organize major fashion events. The rationale is that insecurity is not only a pertinent issue to the government of Lebanon but also an important aspect in Middle East. As such, r egional peace remains a major challenge for the growing Lebanese fashion industry. Moreover, political instability has also led to the emergence of extremist groups that perceive fashion industry as an aspect of Western culture. Such groups as Hezbollah have minimized chances of the industry to thrive amidst global competition. Due to the challenges, it is essential to mention that Lebanon’s fashion events have not received similar audience when compared to respective events in Europe and the United States. In addition, lack of sufficient financial resources and institutions are attributable to unpopularity of fashion designers. Ignorance about fashion and design is therefore overwhelming in a substantial proportion of the citizenry. Nonetheless, Lebanon’s fashion industry is the largest and most elegant in the Middle East. Many fashion designers concur with the assertion that Lebanese fashion will continue to typify major fashion events across the world. Fashion of Le banese Lebanon boasts of diversity in fashion, design, beauty and culture. This is notwithstanding adversity that has rocked the country in recent years. Fashion in particular is a major tourist attraction owing to its elegance and its association with global celebrities and royalties. In fact, many designers argue that Lebanon is home to the most diverse and liberal fashion collections. The country’s is also renowned for its finesse in the fashion industry. This does not only allow the country to attract customers across the region but also around the world (Hywel 45). Creativity is also a major component of the fashion collections in the country. In May this year, the country hosted an annual fashion festival known as Cannes Film Festival. The event was not only an opportunity for myriad of designers to display their collections but also an avenue through which the international community can appreciate the elegance and creativity of Lebanese designs. In addition, such even ts have attracted major fashion icons from all over the world. As such, it is imperative to mention that Lebanese fashion has grown in an unprecedented way and has gained recognition from other countries. Availability of special and unique skills and styles of making garments has also allowed the country to design excellent designs (Hywel 58). It is important to mention that major fashion designers in the country attract a specific clientele particularly, the affluent and wealthy members of global society. Therefore, Lebanese fashion has been associated with quality, creativity, elegance and high cost. Why is Lebanon Fashion Designers Famous in the World? Undoubtedly, Lebanese fashion designers have captured the attention of the world in the past few decades. At the outset, Lebanese designers have been able to adopt a culturally relative approach when designing, displaying and marketing their collections. The rationale is that many Arabic countries view fashion shows and designs fro m the perspective that they represent Western culture. However, the Lebanese designers make clothes and dresses that reflect unique cultures for specific clients. According to various fashion designers, culture is a strong factor that is closely associated with success or failure of finished designs. As such, Lebanese designers take into consideration the impact of cultural ethnocentrism and relativism during the process of making outfits. Second, Lebanon fashion designers are famous for the type of clients they target. Particularly, such designers as Zuhair Murad and Elie Saab have dressed global icons like Beyonce, Christina Aguilera, Halle Berry and Blake Lively among many other celebrities. Consequently, fans of the celebrities associate Lebanese fashion with elegance and style. This has not only made the fashion industry in the country to flourish but also made the designers to acquire high standing in the fashion industry. Additionally, Lebanese fashion has integrated quality and creativity to produce some of the most outstanding dresses and outfits. The quality of Lebanese silk and taffeta is unique across the world making the designers to be identified with the attributes of the country’s quality fabric (Carnegy 79). Finally, it is imperative to underscore the fact that the process of globalization has enabled the designers to traverse many countries and continents. As such, they have gained insights on the fashion needs of different societies across the world. The above-mentioned facts have therefore made designers from Lebanon to be popular and famous all over the world. Conclusion In essence, Lebanon’s fashion industry has grown tremendously over the past decades. This is evident by the number of designers that have emerged from the country. Zuhair Murad and Elie Saab are among the most renowned designers from the country. Their designs have been displayed in numerous fashion events across the world. Various reasons have led to the pop ularity and expansion of Lebanese fashion industry. They include high quality designs, availability of fabric, government incentives, famous fashion designers as well as creativity. As such, Lebanese fashion designers have dressed celebrities and royalties. While it is true that Dubai has a strong and upcoming fashion industry, Lebanon has already made its presence in the global market already. Nonetheless, the political challenges apparent in Lebanon do not affect Dubai. As such, Dubai might overtake Lebanon as the most renowned fashion destination in Asia. Carnegy, Vicky. Fashions of a Decade, New Jersey: Prentice Hall Press, 2006. Print. Hywel, Davies. 100 New Fashion Designers, New York: McGraw Hill Publishers, 2008. Print. McKelvey, Kathryn and Munslow, Janine. Fashion Design: Process, Innovation and Practice, Boston: Sage Publishers, 2011. Print.